Episode 95

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Published on:

10th Mar 2026

3.6 - Lee Actor

Composer and conductor Lee Actor (b. 1952 in Denver, Colorado) was one of five composers selected in November 2014 as an "Honored Artist of the American Prize", the first time this prestigious award has been bestowed. He has won a number of awards for his compositions, most recently for Symphony No. 2, third place winner of the 2019-20 American Prize in Orchestral Composition, Dance Rhapsody, winner of the 2016 Austin Civic Orchestra Composition Competition and second place winner of the 2011 American Prize in Orchestral Composition, Redwood Fanfare, a winner of the 2009 Ridgewood Symphony Orchestra Fanfare Competition, and Concerto for Horn and Orchestra, the First Prize Winner in the 2007 International Horn Society Composition Contest. Divertimento for Small Orchestra was a finalist for the 2016 American Prize in Orchestra Composition, Concerto for Piano and Orchestra received a Special Judge's Citation for the 2015 American Prize in Orchestral Composition, Concerto for Timpani and Orchestrawas a finalist for the 2014 American Prize in Orchestral Composition, String Quartet No. 1was a finalist for the 2014 American Prize in Chamber Music Composition, Circus Symphonicus was a finalist in the Columbia Orchestra's 2013 American Composer Competition, Concerto for Alto Saxophone and Orchestra was a finalist for the 2013 American Prize in Orchestral Composition, Concerto for Violin and Orchestra was a finalist for the 2012 American Prize in Orchestral Composition, Variations and Fugue for Orchestra was a finalist in both the Columbia Orchestra's 2007 American Composer Competition and the Holyoke Civic Symphony's 2005 Composition Competition, and Prelude to a Tragedy was selected as a finalist in the Columbia Orchestra's 2005 American Composer Competition. Conductor/composer Robert Ian Winstin has written, “Lee Actor's Prelude to a Tragedy is one of the best written new works I've had the privilege to conduct or record. It is clear, precise and very tightly written. It has a style that is completely original … an incredible orchestral tour de force as written by an immensely talented composer.” The CD including Mr. Winstin’s performance of this piece with the Kiev Philharmonic was released by ERM Media in March 2005.

Actor has received commissions from the Palo Alto Philharmonic, the Redwood Symphony, the Mission Chamber Orchestra, the Silicon Valley Symphony, the Saratoga Symphony, the University of South Dakota, the Skaneateles Festival, the South Bay Guitar Society, the Peninsula Symphony Orchestra, and pianist Benny Gambino. His works have been performed by more than 90 orchestras and bands in the U.S. and around the world. His first CD of orchestral works was released by MMC Recordings in June 2005, which Records International called “...one of the best new symphonic discs to have come our way.” A second CD was released by Albany Records in April 2008, featuring Concerto for Violin and Orchestra, which was nominated for 2008 “Best of the Year” classical CD by Classical 94.5/WNED in Buffalo, NY. A third CD of orchestral music, featuring Concerto for Alto Saxophone and Orchestra and Dance Rhapsody, was released in April 2011 by Navona Records, and subsequently named to Audiophile Audition’s list of “Best of the Year Discs for 2011”. Navona Records released Actor's fourth solo CD in February 2015, featuring Concerto for Piano and Orchestra and Symphony No. 3.

Actor’s orchestral music is characterized by its dramatic impact and emotional expressivity, featuring a striking use of harmony, counterpoint, motivic development, and lyricism with a fresh, modern flavor. These attributes are most prominent in his large-scale dramatic works. Conductor Jason Klein has written of Symphony No. 1: “Lee Actor ... is a composer of remarkable skill whose 3-movement symphony has strength, character, and generous helpings of brilliance and humor”, and described Symphony No. 2 as “… energetic, intense, and highly polished.” In a review of Concerto for Violin and Orchestrafor the San Mateo County Times, Keith Kreitman wrote: “This is a major work deserving of national attention. … This concerto verges on masterpiece”. In July 2008, Concerto for Horn and Orchestra was performed at the 40th International Horn Symposium by the Colorado Symphony and soloist Bernhard Scully, principal horn of the St. Paul Chamber Orchestra. The piece has subsequently received numerous performances, and is quickly becoming a favorite of horn players around the world. His work has been characterized by conductor Kirk Trevor as “… music of the highest quality in craftsmanship, inventiveness, and imagination.”

A former violinist with the Albany (N.Y.) Symphony Orchestra, Actor has advanced degrees in both engineering, from Rensselaer Polytechnic Institute, and music composition, from San Jose State University. He has studied composition with Donald Sur, Brent Heisinger, Charles Jones, and Andrew Imbrie, and conducting with Angelo Frascarelli, David Epstein and Higo Harada. Actor was named Composer-in-Residence of the Palo Alto Philharmonic in 2002, following his appointment as Assistant Conductor in 2001, and was Assistant Conductor of the Nova Vista Symphony from 2008 to 2010. He is a member of ASCAP®, who recently named Actor the recipient of an ASCAPlus award for the 17th time. He has received awards and grants from ASCAP, the American Music Center, the International Horn Society, the Ridgewood Symphony Orchestra, and The American Prize in Composition.

https://www.leeactor.com

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About the Podcast

Composer Chats
Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

About your host

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Jason Nitsch

Jason Nitsch’s music is equally at home on the concert stage, in outdoor venues, and streaming online, reaching the broadest audience of musicians, performers, and music enthusiasts possible. As a composer dedicated to the exploration of new ideas, his music has evolved over a 25-year career to incorporate more and more non-traditional elements, such as effect tracks, sound drops, and enveloping electroacoustic works combining live and pre-recorded elements. Much of his work is rooted in a large ensemble context; his wind ensemble works have received thousands of performances throughout the US including at Midwest, State Music Conferences including Texas, Colorado, and Kentucky Music Educators Associations, Colleges and Universities like Baylor University, the University of North Texas, and Syracuse University, and at other regional music festivals (ITEA).

In recent years Jason has focused on more intimate chamber musical settings, including collaborations with solo musicians such as trumpeter Kate Amrine , Cellist Carolyn Regula (The Cello Doll) and vocalist Michaela Catapano, as well as chamber groups across the US (Chicago Brass Choir), while continuing expand his sizable catalog of works for larger instrumental forces.

Jason is well known for his work as an educator, dedicated to providing young promising musicians with the foundational experiences on which a lifetime of music-making can be built, and is pursuing research into the ways that music students process their experiences as learners and performers.

Combining his long career in music with a deep love of science fiction and a natural talent for storytelling, Jason recently launched his first podcast, “Beyond the Belt: Adventures from the Outer Rim.” “Beyond the Belt” is a collection of 8 original dramatic science fiction episodes for which he served as writer, producer, and composer. It tells the story of a scientific research experiment gone horribly wrong. With Zombies (of course!).

Jason has released three digital albums in recent years, including the Season One Soundtrack from the Beyond the Belt podcast, “1000 Steps to Nowhere", a collection of chamber music compositions, and most recently “The Dead Teach the Living,” featuring nine vocal collaborations ranging from solo works to Orchestral compositions.

Jason is a lover of dogs, video games, and all things Star Wars (yes, even the prequels). He is also a husband, father of two budding musicians, and a patron of art forms that stretch traditional boundaries.

He currently lives in Waxhachie, TX with his family. He can occasionally be sighted lurking at select music conferences.