2.12 - Marti Epstein
Marti Epstein (November 25, 1959) started studying composition in 1977 with Professor Robert Beadell at the University of Nebraska. She has degrees from the University of Colorado and Boston University, and her principal teachers were Cecil Effinger, Charles Eakin, Joyce Mekeel, Bunita Marcus, and Bernard Rands.
Marti was a fellow in composition at the Tanglewood Music Center in 1986 and 1988 and worked with Oliver Knussen and Hans Werner Henze. As a result of her association with Henze, she was invited by the City of Munich to compose her puppet opera, Hero und Leander, for the 1992 Munich Biennale for New Music Theater. She was on the jury for the 1994 Biennale.
Marti has received commissions from the Paul Jacobs Memorial Commissioning Fund, the CORE Ensemble, ALEA III, Sequitur New Music Ensemble, the Fromm Foundation, guitarist David Tanenbaum, the American Dance Festival, the A*DEvant-garde Festival of Munich, tubist Samuel Pilafian, flutist Marianne Gedigian, the New England Brass Quintet, the Iowa Brass Quintet, Boston Conservatory, Boston University Marsh Chapel Choir, pianist Kathleen Supové, the CrossSound New Music Festival of Juneau Alaska, the Pro Arte Chamber Orchestra of Boston, the Radius Ensemble, the Ludovico Ensemble, and the Callithumpian consort. The Longy School of Music commissioned her to compose Quartet for BSO English horn soloist Robert Sheena to be played at the Inauguration of Karen Zorn, their new president. Marti’s music has been performed all over the world by ensembles, which include the San Francisco Symphony, the Radio Symphony Orchestra of Frankfurt, the Atlantic Brass Quintet, and Ensemble Modern.
